Even if you haven’t heard about Mikey Madison, you will likely have heard about her breakout role in Anora as the titular figure. The tale about a stripper who marries the son of a Russian Oligarch was aptly marketed as a flick that “makes Pretty Woman look like a Disney movie,” on account of its racy and brazen portrayal of love, sex work, and unusual connections. This captivated an entire generation and catapulted the 25-year-old actor to Hollywood stardom overnight. However, with fame comes criticism and so it’s unsurprising that a lot of people had something to say when Madison argued that the film didn’t need an intimacy coordinator during an Actors on Actors interview with Pamela Anderson…
To understand why this decision sparked so much controversy, let me set the scene: the movie opens with Madison’s character gyrating on a patron’s lap—a bold introduction that has kept Anora at the centre of heated online debates. Some said that the excessive nudity and scantily clad bodies were supposed to conceal the fact that the movie’s female characters lacked an inner life and were solely serving the male gaze, while others interpreted the drama as sort of a dreamscape that waits until the very ending to wake the viewer up.
The movie certainly does not shy away from exposing the nitty, gritty, and sometimes sweaty reality of sex work, but also adds a dash of humour and light commentary which makes the intimate scenes more enjoyable to watch. It’s clear that Anora doesn’t want to moralise or stigmatise sex workers, or quite frankly those who seek their services.
The film lets the dancer’s humanity shine without lapsing into pity or melodrama, as it takes the viewers from nude lap dances to full-on sex scenes, inter-spliced with a rollercoaster storyline, boozy parties, and the occasional money shower, of course.
So, Anderson naturally wanted to hear about Madison’s experience of filming such a nuanced and complicated tale.
“When I saw ‘Anora,’ I just wanted to grab you out of there and hug you,” Anderson started. “I’ve had friends in that industry as well, and I could really relate to it. It was so emotional. Did you have an intimacy coordinator? That’s the big thing these days, right?”
To the surprise of many, Madison revealed that she rejected the offer of having one hired: “For our film, it was a choice that I made; the filmmakers offered me, if I wanted, an intimacy coordinator. Mark Eydelshteyn, who plays Ivan, and I decided it would be best to just keep it small. I have seen Sean’s films and I know his dedication to authenticity. I also wanted to immerse myself in that, so I was ready for it.”
Then the actor went deeper into how she approached the role and nudity within the movie: “It requires a lot of her body and her skin. I think that—I’ve said it before—but I think she wears her nudity more like a costume in a way. She presents herself in this sort of hypersexualised way because it’s how she makes a living, and it’s just what she has to do. And so I think also, as an actress, approached it in a way of like, it being a job. So I was very comfortable.”
Madison went on to assure how relaxed she felt on set: “We talked at length about each scene, what it would look like. And Sean and his wife and producing partner Sammy [Samantha Quan] would even block out what it would look like [on screen].”
Of course, many people online were shocked by Madison’s revelations, considering that the film industry has experienced a large push for intimacy coordinators in the last few years, to ensure the safety and comfort of actors on set. On X, some netizens respected Madison’s choice while others noted that an intimacy coordinator on a set such as Anora should have been a given.
But if the actors themselves feel like the set conditions were safe enough to pass on something that has always been optional, that seems like a respectable choice.