Los Angeles has always been known as the city people go to to ‘make it’ big in the entertainment industry. Now, thanks to TikTok, it is also a thriving hotspot for gen Z TikTok creators, where teenagers come to join together and collaborate on new content creation.
Hype House, reportedly home to 19 members, is a gated mansion located in Los Angeles. It is also a TikTok collective in which gen Zers collaborate with each other in order to make new TikToks all day, every day and have acquired over 6.2 million followers already. Formed in December, its founders, Chase Hudson and Thomas Petrou, saw this as an opportunity to bring rising TikTok stars together and help each other grow on the platform.
Only 4 members actually live in the mansion permanently, with others keeping rooms to crash in when in town, as many are still teenagers and in school. Some of the members are as young as fifteen, with the oldest one, co-founder Petrou being only twenty-one. Essentially, it is a house full of unsupervised teenagers where Petrou is considered the ‘mother of the house’—but the house has strict rules. Members assure that this is not a party house and Petrou tells the New York Times that it is “designed for productivity.” They make a minimum of a hundred TikTok videos a day, and in order to stay or even be invited to the house, you have got to work hard.
Content creator ‘collab houses’ are not a new concept and were already popular during the previous decade, especially with YouTubers. But what makes Hype House different is that it is not just a collab house; it is a collective, and, above all, a community. The founders of the house do not take a cut of anyone’s revenue, and they are aware of how ephemeral internet fame can be—they want to make a difference and support each other.
However, my aim is not to describe the community as perfect. The collective has previously been questioned for its lack of diversity. Hype House is also not the only collaborative TikTok collective—but it is the most famous as of yet.
Tomisin Adeleye, perhaps better known by his TikTok handle @uncle.tomm recently went viral after posting this TikTok as a response to Hype House. He works closely with another well-known collective, Diversity University, and sees TikTok as a new platform that gives everyone a voice. “As an individual, I will never come for someone for not representing diversity because I can’t make anybody do anything against their will, but I can do my part in creating a more diverse representation,” he tells Screen Shot. “What is the best message that we can spread? TikTok is not the most positive place, but of course, no platform can be perfect.”
While Melanin Mansion has been put on hold, Diversity University is an emerging project coming quickly to life. It does not have a house as of yet, but it has the community. “We have people of all ethnicities, from diverse backgrounds. A lot of people speak many different languages, and post different kinds of content,” explains Adeleye. Forming this collective has taken a lengthy audition process, as Diversity University tried to pick up creators of various sizes before meeting in LA in March to work on group content.
“It is important to have diversity in such a group so that young people on TikTok have someone who looks like them and have similar experiences to look up to,” Cabin Six tells Screen Shot. Cabin Six is an emerging, fast-growing LGBT TikTok collective with over 34k followers on the app and whose main purpose is to promote LGBT representation on TikTok. “We aim to make relatable content for LGBT people in order to create an inclusive and friendly community amidst the widespread toxicity on TikTok.” At the moment, each member of Cabin Six creates their content remotely, and while they are not looking to move into a collab house for various safety and financial reasons, they do hope to meet in real life and work on producing group content.
Finding and moving into a house can be very tricky so imagine doing the same in Los Angeles when you’re only 15. While the value of the Hype House mansion is undisclosed, each room, reportedly, is rented out for an estimate of $900 per month, which, if you count all 19 members would add up to $17,100 per month—getting a lease for this amount is difficult for most people, especially for young people without a secure income. While renting out an Airbnb or any other short term accommodation would be a more feasible option, many Airbnbs in Los Angeles have a strict non-filming policy.
That is, of course, not to undermine the hard work of those in the Hype House or the message they are trying to spread. Both Cabin Six and Adeleye explain that they think the Hype House is a great concept, and hope to see representation and inclusivity increase as the collective grows. “A lot of people are putting us against them, and we’re trying to make it clear that we are not hating on them at all: we’re just two separate visions. We are all here to spread positivity.” And if there is one thing you can trust the new gen to do, is change the world through TikToks.
Many people associate witches with medieval connotations—wrinkly old ladies wrapped in black cloaks, jars of pickled frogs, public executions in town squares. Others, like me, associate them with middle-aged mediums and palm readers, imparting spiritual advice for a hefty price in back-alley stores or the comfort of their living rooms. But TikTok, the world’s fastest-growing social media app, has introduced an entirely new brand of witches. Witches of TikTok, as they’re referred to, are typically young girls with a keen interest in witchcraft who use the platform to create a community of people fascinated by the occult. And it seems to be working, as some of these witches have thus far amassed hundreds of thousands of TikTok followers.
The TikTok witches extravaganza did not appear out of the woodwork. Over the past few years, as the chaos unfurling in the world has consumed every ounce of our attention through the news and social media, many people have turned to mysticism in search for answers and comfort, as well as to ponder the greater questions about the meaning of life. Astrology, palm reading and witchcraft have become increasingly popular, particularly among younger generations. Popular culture echoed this rising fascination with shows like the Netflix reboot, The Chilling Adventures of Sabrina.
It is out of this mystical resurgence that many young people (typically women in their mid-teens to early twenties) have created the image of the new witch—savvy, semi-gothic yet colourful in style, and reasonably engaging and entertaining. TikTok, which in 2019 ranked as the most downloaded app in the Apple Store, has been instrumental in cementing the identity of young witches and giving them a container in which to thrive.
As of July 2020, the hashtag #witch has garnered over 194 million views on TikTok, #witchesoftiktok has received over 693 million views and #witchtok has currently more than 2 billion views. But what is it about TikTok that lends itself to fanning the flames of friendly witchcraft?
Many TikTok users and media experts point out to the platform’s inclusive and inherently social structure as a possible reason. The app’s brief 1-minute videos (which usually respond to previous ones) and user-friendly editing features have enabled ‘veteran’ and ‘baby’ witches (as well as anyone who’s interested) to share content freely in a creative, humorous and engaging way—from snippets of crystal healing tutorials to music-infused Tarot spreads and viral threads of Pagan rituals.
“On TikTok it’s quick tips and things that anyone can do,” said Selby, a TikTok witch with a following of 283,800 in an interview for WIRED. “It also humanises witches. There’s a lot of negative stigma surrounding witchcraft and witches but with TikTok, I can show the more personal side of myself, like being a mother.”
TikTok’s unique algorithm, specifically the one operating the app’s For You page, has also been identified as a primary advantage of the platform in fostering a witch-hub. Unlike its evil older sibling, Instagram, TikTok’s algorithm does not trap users in inescapable echo chambers, but rather exposes them to content creators they wouldn’t have otherwise come across. Also, compared to Instagram, TikTok is less associated with commodification and profit, and tends to inspire fewer feelings of frustration and incompetence in its users (at least so far).
“The For You page is a very important feature because it doesn’t make us live in a bubble,” Selby further told WIRED. “Even though I’m a witch I’m not only showing on other witch’s feeds, like you would on Instagram. It helps you reach people you normally wouldn’t. It’s nice to be on a platform that supports creators, and doesn’t just look at us like advertising opportunities.”
Witches on the video-sharing app have just recently claimed they have “hexed the moon.” To put it simply, fellow WitchTok users have started explaining exactly what happened on Twitter.
Is the moon fine, scientifically speaking? Yes, even witches on TikTok have admitted that. Apparently, some witches were upset at the audacity of the few people that would want to hex the moon, which is sacred in witchcraft. Whether you believe in it or not, it’s an understandable reaction coming from witches but the moon is the same as it always is—no amount of incantations can change that.
TikTok’s growing community of young people delving into mysticism can be viewed as a sign of hope in a world increasingly ravaged by sarcasm and isolation, and with mainstream, institutional religions monopolising on spirituality and discouraging many of us from contemplating and discovering the core essence of our being.
Could this viral witch phenomenon be the gateway for millions of people to genuine spiritual exploration? Or is it, as most things social media, merely a fad that will evaporate as soon as our attention flutters to the next trending craze? Perhaps a deeper question would be—can genuine communities be formed on online platforms that revolve around saturated feeds and visual snippets geared primarily toward the imbibing of attention?
Only time will tell. Or the crystals.