From inciting riots to encouraging chaos, is Travis Scott to blame for Astroworld 2021? – Screen Shot
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From inciting riots to encouraging chaos, is Travis Scott to blame for Astroworld 2021?

A stampede of fans surging toward the stage during rap star Travis Scott’s Astroworld music festival in Houston, Texas killed at least eight people and injured dozens more as panic rippled through the crowd of concertgoers, officials said on Saturday 6 November, the morning after it took place. It washed ashore like a wave, through the crowd of 50,000 mostly young people—an unpredictable movement of bodies that could not be held back.

“Some collapsed. Others fought for air. Concertgoers lifted up the unconscious bodies of friends and strangers and surfed them over the top of the crowd, hoping to send them to safety. Others shouted out for help with CPR and pleaded for the concert to stop. It kept going,” reported The New York Times.

As fans in the sold-out audience pressed towards the stage, people began to fall unconscious, some apparently suffering cardiac arrest or other medical issues. Minutes later, the chaos was declared a “mass casualty incident.” By now, a simple scroll through your social media feed would have granted you access to some of the hundreds of terrifying accounts and documentation from attendees. Videos where fans are seen climbing on stage in an effort to stop the show and warn lighting and camera operators have been shared all weekend long.

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So have statements from people who have witnessed the festival’s chaos first-hand, such as ICU nurse Madeline Eskins who went to help those being brought in for medical support. Eskins said she saw several people performing CPR without checking for a pulse. In an interview with The Independent, she outlined the fact that many first responders had “little to no experience in this type of situation.”

“People were literally grabbing and pinching at my body trying to get up from the ground,” said Chris Leigh, 23, adding that he lost contact with his friends as he tried to make it out of the crowd. “I was fighting for my life; there was no way out,” he shared with The New York Times.

As of now, fatalities include a 14-year-old, a 16-year-old, two 21-year-olds, two 23-year-olds, a 27-year-old, and another person whose age was unknown. 25 people were transported to nearby hospitals, Houston Mayor Sylvester Turner said, 11 of whom experienced cardiac arrest, according to Houston Fire Chief Samuel Peña. More than 300 people were treated at the scene at a field hospital set up in NRG Park, NBC DFW said. Among those treated at a hospital was a 10-year-old child.

By Saturday, officials in Houston were at a loss to explain how the concert, part of the two-day Astroworld music festival organised by Live Nation Entertainment and Travis Scott himself, had transformed from a celebration to a struggle for life in an instant. The event appeared to be one of the deadliest concert-induced, crowd-control disasters in the US in many years. Similar episodes have occurred at venues around the world, during performances of all genres of music—including an electronic dance music festival held in Germany in 2010 at which 18 people were trapped and crushed, and a 1979 Who concert in Cincinnati where 11 people died as concertgoers rushed the entrance.

Back to Astroworld 2021 and its aftermath, according to the Houston Chronicle, which reviewed videos and other social media posts, people had begun to collapse by 9:39pm. Soon after that, the show’s promoter agreed to stop the performance. Yet Scott appeared to complete his set, the newspaper added. The artist finished at 10:15pm—36 minutes after the disaster was already apparent.

Analysis by the Washington Post also suggested that the concert continued for about an hour after members of the audience first displayed signs of distress. Material examined by the newspaper recorded several attempts by individuals to sound the alarm, only to be drowned out by Scott’s performance.

Such an awful event, backed up by numerous video evidence of Scott’s decision to ignore what was happening during his show at the cost of his fans’ lives beg the question, could this nightmare have been avoided?

The 29-year-old rapper launched the Astroworld festival in 2018, months after the release of his third studio album under the same name. Since then the concert has occurred every year, except for 2020 due to the COVID-19 pandemic, at Houston’s NRG Park—the former location of Six Flags AstroWorld theme park. Scott’s fans sold out this year’s Astroworld festival in less than an hour, according to a press release from festival organisers. The same day as the tragic Astroworld concert, Scott released two singles, ‘Escape Plan’ and ‘Mafia’.

In 2015, the rapper compared his shows to professional wrestling, telling GQ, “I always want to make it feel like it’s the WWF or some shit. You know, raging and having fun and expressing good feelings is something I plan on doing and spreading across the globe.” 

“We don’t like people who just stand,” he added. “This is a no-stand zone.” But sometimes, the raging can go too far. Yet oftentimes, the rapper encourages it.

Scott has been arrested at least two times for inciting riots and disorderly conduct at some of his previous shows. In 2015, the rapper was arrested after encouraging fans to jump security barricades during his Lollapalooza set, which was promptly shut down. He pleaded guilty and was sentenced to one year of probation. In early 2017, Scott was arrested again on a similar charge: police accused him of inciting a riot during a show at the Walmart Arkansas Music Pavilion. Several people, including a security guard, had been injured while the rapper was on stage allegedly encouraging people to join him. He pleaded guilty to disorderly conduct in a deal with prosecutors, reportedly in exchange for dropping more serious charges.

Weeks later came the New York City show that changed the life of one fan, Kyle Green, who was 23 at the time. Green said he was pushed from a third-story balcony and then dragged on stage while watching Scott perform. The rapper had specifically encouraged fans on the second-floor balcony to jump down into the crowd, according to The New York Times, citing a video from the event.

“Don’t be scared,” Scott was heard telling his fans in the video. “They’re going to catch you.” After Green’s fall, Scott ordered bystanders to scoop Green up and bring him to the stage to put a ring on his finger. Green later sued the rapper―along with his manager, a concert promoter and a security company that covered the event―in a still ongoing case alleging that they all engaged in “recklessness” that left Green partially paralysed and in need of a wheelchair.

On YouTube, videos of Scott showing contempt for security personnel hellbent on shutting down the revelry at his shows are easy to find, so are the compilations of fans leaping into the crowd from the stage. In 2018, People magazine described his ability to keep security guards from reaching his fans as a quality that endears him to crowds, declaring after one incident, “Travis Scott will always have his fans’ backs.” Right.

The most common cause of injury and death in crowds is compressive asphyxia, when people are pushed against one another so tightly that their airways become constricted, said Steve Adelman, a lawyer and the vice president of the Event Safety Alliance, an advocacy group. This happens most often during a ‘crowd crush’, when the audience is packed together so tightly that people cannot move, but it can also occur during a stampede.

In another video of the concert, Scott could be heard saying, “If everybody good, put a middle finger up to the sky.” The video showed the ambulance in the crowd, surrounded by people holding their phones, many with a middle finger extended. Then, two men who appeared to be part of Scott’s entourage approached him on the stage. He shooed them away and turned to the crowd, asking those present to put “two hands to the sky.”

While the whole responsibility of what happened can’t be put on Scott’s shoulders alone, it’s crucial we admit the fact that the rapper was aware of what was going on―that people in the crowd were seriously getting hurt, something he is known for encouraging―and still decided to carry on with his performance.

Why is no one talking about Drake’s long history of predatory behaviour with teens?

In 2018, Stranger Things actress Millie Bobby Brown, aged 14 at the time, revealed on the Emmy Awards’ red carpet that she and Canadian rapper Drake were “great friends” who regularly text. “We just texted each other the other day and he was like ‘I miss you so much’, and I was like ‘I miss you more’. He’s great,” she told Access Hollywood. At the time, Drake was 32.

Almost immediately after the news broke, the internet—especially the Twitter community, obviously—began to express concern about the two celebrities’ relationship. Soon after the controversy started, it quickly became clear that Brown wasn’t the only underage girl Drake was texting.

In November 2019, Billie Eilish sat down with Vanity Fair for the third year in the row where she was given identical interview questions. In the video, Eilish is asked the same series of questions about her life and career as her old interviews are played back so that she can react to them, noting how much her life has changed in a few short years. One of the questions that she got asked was “Who is the most famous person in your phone?” In the 2017 interview, the singer named fellow singer, Khalid, who she also referred to as “a homie of mine.”

In 2019 however, Eilish had a lot more famous people in her contacts to cite. She listed Hailey and Justin Bieber, Young Thug, Avril Lavigne, Ariana Grande, Kid Cudi, Ty Dolla $ign, Teyana Taylor, and countless others that she chose not to mention before she finally landed on Drake. She then went into a brief monologue about how nice the rapper is, especially given his celebrity status and success.

She continued on to mention that they have spoken via text in the past. “But like Drake, c’mon. Drake. Drake is like the nicest dude I’ve ever spoken to. I mean I’ve only like texted him, but he’s so nice. Like, he does not need to be nice. You know what I mean? He’s at a level of his life where he doesn’t need to be nice, but he is. You know?” Eilish rambled during the interview. Although the exchanges between her and Drake may very well be harmless, some fans found it suspicious that the (then 33-year-old) artist was once again found to be texting an underage girl.

Although suspicious enough to raise some eyebrows, the two situations mentioned above were not the only times Drake has exhibited some predatory behaviour. Back in May 2010, while performing in Denver, Colorado, the rapper invited a fan to come up on stage with him. Someone present at the concert filmed what happened next in a video that resurfaced online in 2019, soon after Brown revealed that Drake, who she had initially met in Australia back in November 2017, texted her “advice about boys.”

In the 2010 clip, the Canadian rapper invites the girl on stage during his performance at the Ogden Theater, dances with her, kisses her neck, comments on her shampoo, then pulls her shirt down at the back of the neck to kiss her again. After reaching both hands across her chest while standing behind her, he picks up his microphone and says he is getting “carried away.” When asked about her age, the girl replies: “17,” to which Drake responds: “I can’t go to jail yet, man!”

Even after discovering her age, he continues, “Why do you look like that? You thick. Look at all this. I don’t know if I should feel guilty or not, but I had fun. I like the way your breasts feel against my chest.” He is then seen kissing her on the cheeks and forehead in a way that can only be described as extremely creepy. Drake would have been 23 at the time the video was taken. The age of consent in Colorado is 17. To this day, he has not responded to the video and his US publicist has always declined to comment on the matter.

If you thought that was the end of it when it comes to Drizzy’s questionable ways, think again. In the song ‘Mr. Right Now’ released in 2020 by Atlanta-based rapper 21 Savage and American record producer Metro Boomin on their collaborative album Savage Mode II, Drake sings a verse that garnered particular attention for its mention of SZA.

“Yeah, said she wanna fuck to some SZA, wait ‘cause I used to date SZA back in ‘08,” Drake raps on the track. In 2008, SZA would have been 17 and Drake 22. While the age of consent in the rapper’s hometown of Toronto is 16, it is 18 where he currently resides in California.

Honestly, there seems to be a recurring pattern here. Drake’s interest in impressionable young women is “a systemic issue in a society which has a surplus of men in power, as well as an abundance of women who have ambitions to be seen, to be understood, to attain power themselves within the existing societal structure,” as writer Sandra Song pointed out in a 2018 article for NYLON.

And in most cases, it’s a situation that lends itself to varying degrees of abuse, which is why it simply can’t be overlooked. “What about the other young women this sort of thing happens to who, unlike Brown, aren’t in the public eye?” continued Song. Let’s not forget about Lifetime’s Surviving R Kelly documentary, which featured heart-wrenching interviews with multiple women who say they were abused by the singer, oftentimes out in the open, and yet no one did anything to stop him.

Celebrity culture may have blurred the lines between mutual consent and predatory behaviour, but it’s the accumulation of small events like the ones Drake has been involved in that need attention before one more YouTube video surfaces and we scramble to erase its impact on impressionable minds.