How does Spotify Wrapped affect how we think of ourselves online and offline?

By Emma O'Regan-Reidy

Published Jan 7, 2022 at 09:31 AM

Reading time: 4 minutes

December is the season for hot cocoa, gift-giving, and an influx of Spotify Wrapped screenshots on social media. Each year, as November fades away, Instagram and Snapchat stories witness an influx of the latest screenshot-friendly designs Spotify has released. Whether you couldn’t care about everyone else’s top five songs or you look forward to the fun graphics each year, Spotify Wrapped continues to appear on most of our screens. Though, as its annual campaign becomes increasingly popular and more visually appealing, what exactly is the audio streaming giant achieving by curating these annual summations of our individual listening tastes?

Organic—and free—marketing could be pinpointed as the main reason Spotify unrolls the feature. As its users watch their personalised and playful year in review, many capture the graphics displaying their listening activity to share with others on social media platforms. Users can even screenshot their top artists of the year in a variety of colourways to align with their personal aesthetic. By crafting this dynamic feature, Spotify routinely pulls off a largely low-cost marketing campaign. Rather than hiring brand influencers as it has in the past with the likes of Sophie Turner, Wrapped prompts all users to act like influencers themselves. When the feature was rolled out for the third time back in 2017, the platform asked listeners to “be brave enough to share [their] listening history.” This allegedly led to 5 million shares on social media that year, and that number has only skyrocketed since.

 

View this post on Instagram

 

A post shared by S O P H I E T U R N E R (@sophiet)

In 2019, Spotify’s head of consumer and producer marketing, June Sauvaget, told Forbes that Wrapped “creates this FOMO effect that happens and that inherently entices new users to consider Spotify.” In the same article, Alex Bodman, Spotify’s vice president and global executive creative director, noted that “much of [its] online presence has been organic.”

Through the company’s thousands of unique billboards that coincide with Wrapped findings, Spotify has been able “to create cultural moments.” Bodman also said that it achieves this annual success by treating the campaign “as something that you’re not just trying to think of as an ad.” Instead, he acknowledged its mission to “entertain.” This goal is deeply embedded into the company’s advertising structures—though it could be argued that tapping into collective and individual identities is at the heart of its marketing goals.

Rather than selling music, Spotify sells us curated versions of ourselves. Through mood-oriented and Discover Weekly playlists, the streaming giant affects both what we listen to and how we do it. While in many ways this is beneficial and desirable—who doesn’t want to find new music that they’ll most likely love—it also begs the question: what’s the purpose of Spotify doing so?

Like the sense of meaning we often find in star sign readings—even if it means that we’re narcissistic—we’re drawn to music’s uncanny and whimsical ability to identify and express our sense of selfhood. Using immense swathes of personal data, an average Spotify user listens to music for an estimated 2.5 hours a day. Spotify merely cashes in on the artform’s connection with human identity through its various services, the most blatant being Wrapped. Through its highly curated, algorithmically-generated features, the platform is able to produce detailed aural portraits of each of its users. This yearly rollout reaffirms the core of its marketing campaigns which is, as Wrapped’s introduction often reads, “no one else listen[s] exactly like you.”

Though there’s a large distrust in big data and tech giants at the moment, most Spotify users can’t get enough of their highly personalised playlists. The algorithms behind the platform are what have set it apart from industry competitors for years. Benjamin Johnson, an advertising professor at the University of Florida, said that Spotify has avoided the “creepiness factor” of data collection “by granting a maximum amount of user control over what people’s networks see of their listening history.” Because of this, we feel in control when taking screenshots, choosing the colourway we’d like to display and selecting which parts of the coveted musical summary to include and omit from our social media profiles. As Johnson additionally noted, users can decide ‘Is this going to make me look good?’ or ‘Does this reflect the story I want to tell about myself?’ when viewing their customised Wrapped features.

Due to the amount of time we spend with and on our phones, algorithms effectively unearth some of our deepest patterns and feelings. However, they also reveal how intertwined they have become with the intersection between one’s sense of identity and digital consumer culture. As journalist Kelly Pau succinctly stated in an article for Vox, “[o]ur collective enamoration with” Spotify Wrapped demonstrates how we increasingly see ourselves “as brands to be refined.” Furthermore, users are becoming aware of how their activity on digital platforms is reflective of their own actions while simultaneously being “inherently manufactured and performative.”

This sentiment is present in the work of P David Marshall, a new media and communications professor at Deakin University, who researches how people consider what they share on social media. According to Marshall, “we realise we’re a digital construction” when engaging with social media, but this construction has also become intrinsically connected to who we are, or at least “who we think we are.” By sharing Wrapped playlists, users can come to a better understanding of how they define themselves—as mainstream, niche, or somewhere in between—through their music tastes while also refining this fixed identity to others online.

Although many don’t consider themselves as influencers, Wrapped works in a way that brings out our collective instinct to influence. Pau noted how one Spotify user she spoke to, Isabel Edreva, said that “[i]f someone I really respect has a top song I’ve never heard of, I’m like, ‘Okay, I should listen to it.’” This example reiterates how effective the marketing campaign is in encouraging users to engage with Spotify even more, but also how seamlessly the streaming platform fits into our desire to define ourselves on and offline in relation to others. Our instinct to share is tied with designing a specific brand of ourselves, and, through personalised data, Spotify effectively continues to help us curate our sense of selves—for better or worse.

Keep On Reading

By Charlie Sawyer

Taylor Swift fans call Travis Kelce walking red flag after Super Bowl LVIII moment

By Charlie Sawyer

Brooklyn Beckham launches London pop-up restaurant to bless us with his cooking

By Emma O'Regan-Reidy

Why are Gen Zers putting bows on everything? Explaining the coquette ribbon obsession

By Alma Fabiani

What is BFFR?

By Charlie Sawyer

Period poverty has people using socks and newspapers as sanitary products amid cost of living crisis

By Emma O'Regan-Reidy

It’s time we finally address the racist and problematic nature of Lululemon and its founder

By Fatou Ferraro Mboup

Who is Timhouthi Chalamet? The Yemini mystery man touring captured cargo boats in the Red Sea

By Charlie Sawyer

Side hustles are going to be taxed in the UK in January 2024. Here’s everything you need to know

By Fatou Ferraro Mboup

Who is Adan Banuelos? The cowboy who has stolen Bella Hadid’s heart

By Charlie Sawyer

Michael J. Fox speech at the BAFTA Awards 2024 leaves viewers in tears

By Abby Amoakuh

Marjorie Taylor Greene clashes with reporter over Jewish space lasers conspiracy theory

By Abby Amoakuh

Trump to face trial in hush money case, as Fani Willis defends romantic relationship in Georgia case 

By Fatou Ferraro Mboup

Colombia sterilises first hippo left behind by Pablo Escobar amid ecological disaster

By Abby Amoakuh

Woman inspired by Netflix docuseries Don’t F*ck With Cats butchers cat and man in brutal murder

By Charlie Sawyer

Will the Supreme Court banish Trump from the presidential ballot? Social media users have their say

By Abby Amoakuh

Underage deepfake porn of Jenna Ortega and Sabrina Carpenter used in Instagram and Facebook ads

By Charlie Sawyer

Meta faces backlash from Instagram users over new political content limitation feature

By Alma Fabiani

What does being so babygirl mean and what’s Jacob Elordi got to do with it?

By Abby Amoakuh

New Brandy Melville HBO documentary paints CEO Silvio Marsan as super creepy

By Fatou Ferraro Mboup

Meet Edward and Natalie Ortega, the parents of Wednesday actress Jenna Ortega