Sex work is real work and it’s about time it gets recognised as such, there’s no question here. And like with any job, it is a demanding career in which you are constantly learning, growing, and upskilling.
But unlike many other industries, the sex work sector strongly lacks learning and educational opportunities—at least until now. The recently launched Centro University (CentroU) is aiming to bridge this education gap by first creating and then teaching the tools necessary to thrive in the adult sector.
Established only last month in September by FanCentro, a subscription-based platform that allows adult performers and creators to sell access to content, Centro University is a free online school created with the aim of teaching sex workers everything they need to know when it comes to the business side of their sector, such as financing and admin through live webinars, masterclasses, and video series.
As a society, our views and perceptions of work and professionalism can often be quite outdated. For so long, career and life journeys were expected to go as such—you go to university, get a good job, and work your way up. Millennials and gen Zers are starting to break these patterns. More and more of us work as freelancers (whether this is by choice or due to the lack of stable work opportunities is a whole other story), influencers are getting creative with the ways they monetise their platforms, and more young people are taking the plunge and chasing their entrepreneurial dreams.
With the rise of platforms such as FanCentro and OnlyFans, the adult industry is booming, and creators are joining on the daily. So a course preparing newcomers for their future careers, in the same way a more traditional academic course aims to prepare you for yours, should come as no surprise. But just what exactly can you expect from Centro University?
MelRose Michaels, an adult content creator and a teacher at Centro University tells Screen Shot that she hopes to bring her skills and expertise in order to help others starting out in the industry. After gaining success on the FanCentro platform herself, Michaels felt that it needed some kind of educational course, which FanCentro were already brainstorming on.
Michaels started out her career in the industry nine years ago, and explains that the lack of guidance and resources created difficulties for her, which then became a driving force behind her inspiration for teaching on the course. “You have to pay for taxes, you have to find a good accountant, you know, all of these things, and when I first started, no one told me that, so I wasn’t saving for taxes and at the end of the year, I was getting major debts.” The course will cover essential topics such as law and contracts, safety, health, privacy, censorship, marketing, promotion, and production (note how much of the traditional academia doesn’t teach you this).
The global COVID-19 pandemic was a driving factor behind the success of the new course, Michaels explains: “There are so many new people coming to the space—people are getting laid off, people during quarantine were stuck at home.” In addition to this, many sex workers who have previously worked with their clients in real life had to switch to online sex work, which created an even greater influx of people joining the platform.
FanCentro wanted to ensure that all these newcomers have a solid foundation to begin their careers on, and the course attracted over 700 students when it first launched, only skyrocketing from there, and according to Michaels, the feedback has been overwhelming. Similarly, the course is also popular among existing members. “For veteran models who have been on the platform for a few years now, they come into the course and they still find something to take away from it that they didn’t know and didn’t consider,” shares Michaels.
Michaels also describes an “influx” of influencers joining the platform as a result of the pandemic, which she believes to be a major factor to the destigmatisation of sex work. Interestingly enough, the discourse around influencers joining these spaces has mixed views: many have previously criticised influencers for creating more competition as well as often scamming their subscribers by overexaggerating the extent of the nudity in their content.
Just last month, actress Bella Thorne came under fire for creating an OnlyFans account and selling $200 dollar photos that did not come as described. This resulted in OnlyFans changing their rules and regulations by setting limits on how much creators can earn and how often they get paid, which understandably, has ruined a lot of the content creators’ stability and income flow.
Nevertheless, Michaels explains that “everytime a mainstream influencer crosses into our industry and into our space, it brings in new fans into the space, users, and more money,” which essentially helps defeat stigma. “The more people we have in the space who are educated and can navigate it better, it’s going to help us long term as a community,” adds Michaels. So the course is immensely beneficial for anyone deciding to enter.
Perhaps Centro University is only the start of the destigmatisation and empowerment of the sex work industry, but it is certainly a driving force in doing so. Forget about meme studies being the next big thing, sex work education might just be it.
Meet Thierry Schaffauser, French social activist, sex worker, adult actor, and writer advocating for sex workers’ rights and the destigmatization of the industry. As a stigmatized industry, sex work is still misunderstood today, especially within politics, meaning that most of us might unfortunately not see how much sex workers’ rights are hindered. In 2003, the Loi Sarkozy II (LSI) laws in France outlawed passive solicitation. In other words, someone being present at a place known for prostitution while wearing revealing clothing would not be able to get off the hook. And not much has improved since then, as sex workers are still being exploited, while the government contributes to this exploitation instead of alleviating it.
As a key figure in the sex worker rights movement, Schaffauser is constantly working towards dismantling these issues—in nearly two decades, he has co-founded Les Putes, a Paris-based organisation defending sex workers rights in opposition of the LSI laws, founded Hackney Pride, wrote and published a series of articles educating the general public on sex workers rights, and is now working with STRASS, the French sex workers’ union. Screen Shot spoke to Schaffauser about his work, political affiliations within the sex work industry, and what he believes its future will look like.
1. How did you embark on your career within the industry?
I officially started sex work at age 20, (…) I was young and wanted to experiment things sexually, as well as logistically, and doing sex work was a good way to make more money and work less, have more freedom to study as I also managed to go to university at the same time, and it gave me more time to do activism. I started sex work activism in 2005, when I went to the European sex workers conference in Brussels.
2. In 2006, you co-founded the organisation called Les Putes. Could you tell us a bit more about it, as well as what inspired you to create it?
I visited the sex workers conference in Brussels, and at that time, I was also part of ACT UP, an HIV organisation, and I thought that maybe we could use tools from the queer movement around the ideas of pride, because one of the main issues was stigma—at least it is something common to all sex workers. I wasn’t alone, we were a small group and we were thinking of doing a sex worker pride in Paris, in March 2006 as it was the anniversary of the Nicolas Sarkozy laws. We thought we should demonstrate every year to remind the public and the media that sex workers are opposing this law. It attracted a lot of attention, the concept of ‘Hooker Pride’ was probably shocking to some people, and by marching in ‘sexy’ clothes we really wanted to dismantle stereotypes around what the media sees as sex workers. We tried to reclaim the discourse and have our own say on who we are and what we demand, and be quite clear that the French political idea to abolish prostitution, the idea that we are ‘helpless’ and need to be ‘saved’ by the state, meant more police intervention, and would end up in more exploitation. We tried to shift the narratives to the sex workers’ perspective.
3. Tell us a bit about Out East. What inspired you to organise Hackney Pride and why was it the thing to do at the time?
I moved to the UK in 2007 or 2008 and joined the GMB Union. I think they used to have Hackney Pride in the 70s or 80s. I was living in Hackney at the time, and I was attacked on the street while trying to get on the bus. [Some guys] beat us up so we couldn’t even get back on the bus, and it just drove, leaving us beaten up. I thought we needed to do something, which is how pride started.
4. In 2010, you published a series of articles on the Guardian, aimed to educate the general public on sex workers rights. Would you say that they have improved since then?
I can’t really say it has improved—there hasn’t been any positive change, and in France, it actually worsened. There have been local public orders and new policies in the UK, but not any kind of improvement in terms of rights. Only sex workers’ unions have improved. The communities are growing, especially with online platforms, online forums, and sex work organisations, which creates an increase in visibility for sex workers. On a political level, I don’t think it has improved. There are some sex workers pushing for motion within the trade union and within the labour party. We have the opportunity for these with a new leadership from Jeremy Corbin, who’s a long-time supporter of decriminalisation, but I can also see that it isn’t their say to discuss these publically. So, no, sorry, can’t really say that there has been a great improvement in sex workers’ rights.
5. Do you think social media is helping dismantle stigma around sex work?
I can see new generations talking about the issues of stigma or rights, using the right terminology, even in the feminist movement, seeing young feminist talk about SWERF’s, or talking about intersectionality and inclusion—that is quite new because ten years ago, few people would have. Social media helped people talk to workers. You can keep your anonymity online, and actually be able to write in forums, on various Facebook groups or on Twitter. It created some visibility where people could relate to sex workers, who have previously been erased from the public space. Decriminalisation is also acting as a consequence of getting us banned from the rest of society, because the idea behind it is also that when talking to a sex worker, you can be perceived as a client, and you can be criminalised for doing that. The internet gets rid of that, and creates new spaces for people to speak to us.
6. Do you think the porn industry is shifting towards the right direction in creating a space that is safe and stigma-free? What do you feel still needs to be done?
The porn industry is no longer controlled by production companies. Now, you have a global system and a lot of free content, so most of the porn produced is not paid. The issue is that you have big corporations that own websites, manage to get free content either by piracy, when people put content that they stole online, or through some agreements between porn production companies and websites to get users to try and click on the productions’ website and sell the video directly to the viewers. But most content is free, and actors are now paid much less than what we used to be 10 or 15 years ago. We don’t even know who is behind these websites. There is a lot of money, and it’s very far from the actors that are actually doing the work.
7. And how can we improve this?
Sex workers should own the means of productions. There are platforms such as OnlyFans, where fans can go on the website, access the page of the performer, and pay the performer directly. People watching you are not obliged to pay you, but if they want more, then they have to pay. A lot of people manage to get money through this system, and people are increasingly going freelance and self-employed within this industry, so you no longer work for a production, you work for yourself, but you still have to work through a platform. We are no longer workers, but clients for a third party that will help us access our clients. There are no labour rights, and everyone is an independent entrepreneur, but there is still a form of exploitation. To me, the solution is not shaped in terms of a legal approach, because we can see that the porn industry is perfectly legal, it is also about how laws can be favourable to the workers, how they should all have access to social protection. But I think the most important thing is how workers can organise themselves to be as independent as possible, without having to rely so much on third parties.
8. What are you working on now?
I’ve been working with STRASS since I moved back to Paris in 2012. I am working on the evaluation of the French law and the decriminalisation of clients.
9. Finally, what does the future of the sex industry look like in your opinion? Is it bright?
I think it can change very quickly. I can’t really predict what’s going to happen in the next ten years, but I can see more diversity than before. The good thing that happened in the last few years is the increase in visibility for some sex workers through the internet. But on the other hand, it’s very hard for migrant sex workers at the moment. Because of the human trafficking crisis, we have more and more laws affecting migration and sex work, but these are creating conditions where these people get even more exploited. I can’t see European governments trying to understand the problem, because they conflate sex working and trafficking. In the end, it will be the migrant sex workers who will have to pay the higher price.