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Gamers to face wake-up call as Riot Games and Ubisoft team up to tackle toxicity and abuse

If you’ve ever played an online game, there’s a guarantee that you’ve faced some sort of harassment—be it teammates trolling or having someone take out their frustrations on you. People get worked up playing games. It happens in real-life sports, and esports are no different. It’s a problem, a massive one.

These pseudo-anonymous online spaces have been host to trash talk and flame since their inception, but today, online gaming’s reach spans a much wider audience. The once-playful trolling has since turned into vile abuse and hate speech—a problem that is rampant in the gaming industry, from in-game team chat to Twitch streams. It’s hence no surprise to see developers now having to obsessively moderate these online spaces to keep gameplays positive and push abuse out of the picture.

Gaming is no longer a ‘no limit’ space for pre-pubescent boys to expel their hormonal rage. The industry is expected to reach a value of $197 billion in 2022, and while all are welcome in what could have been the 21st century’s most inclusive and unifying business, the entertainment complex is still being let down by destructive individuals.

It’s important for experiences to stay friendly and clean, not only for developers and business but also for players who want to feel respected and valued in the communities built around their favourite games. Outside of basic moderation and profanity filters, gaming industry giants are having to come together to create new ways to improve the user experience and change this toxic bedrock—and at the forefront of this are industry giants Riot Games and Ubisoft.

Riot is already part of the toxicity problem

It’s a widespread view that Riot may be the biggest culprit behind toxicity online. League of Legends, the developer’s biggest game, spawned its own Netflix animated series titled Arcane last year, and at the time of writing, has an average monthly player base of about 150 million people. Because of the game’s easy-to-access model, people can very easily set up new accounts, and lose them with little consequence, spurring users’ desire to unleash their toxicity while playing the game.

The very nature of League of Legends’ format is integral to its issues with frustrated players. As if that wasn’t enough, Riot was also the subject of numerous exposés and lawsuits between 2018 and 2021 as a result of a negative, sexist, and juvenile working environment.

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What is ‘League of Legends’?

For those of you who don’t know, League of Legends is a multiplayer online battle arena (MOBA) which has ten players go head to head in a five versus five (5v5) lane-based battle, with the end goal of getting stronger over the course of the game and ultimately dominating the opposing team’s base.

These games can take anywhere from 30 minutes to an hour, a time investment that players don’t often enjoy losing. A lot of the frustration and anger that results from online toxicity is a direct result of these energy-consuming formats. And this pre-requisite also explains why League of Legends players are often recommended to ‘touch grass’ when they declare their love for the game.

How Riot and Ubisoft are tackling toxic gamer culture together

So, Riot is now trying to tackle the problem its very own game exacerbated. How, you ask? Well, in the beginning, it tried to introduce stricter rules with the help of a harsher content filter, but when that didn’t do much, the developer decided to force its players to agree to a ‘Summoner’s Code’—a sort of social contract the company holds all players accountable to—before they can even start playing the game.

Gamers to face wake-up call as Riot Games and Ubisoft team up to tackle toxicity and abuse

Activision Blizzard, another controversial game studio, has seemingly taken a similar path and now requires players to sign a social contract when logging into any of its own creations. How effective this ‘oath of good nature’ is however, is a totally different story.

Most online games today do maintain very strict punishment policies to help encourage players to not commit any wrongdoings. Riot also now records voice chat in its free-to-play tactical shooter Valorant, in a bid to further improve and moderate its systems. The industry is moving at a steady pace towards greater inclusivity and a crackdown on negative in-game behaviour, but Riot still sees work to be done.

Here’s where Ubisoft—the developer behind the globally recognised Assassin’s Creed and Rainbow Six franchises—comes in. A company equally committed to creating safe and accessible spaces for gamers, it’s decided it can’t tackle the future of gaming interaction alone. A partnership between these two giants is a huge deal and is likely going to change the face of gaming moderation forever.

What is the ‘Zero Harm in Comms’ research project?

On 16 November, Riot and Ubisoft released a public statement, announcing a pledge to work together to create a more “positive gaming community.” This is supposedly the “first step in a cross-industry project” that’s going to improve the experience for all gamers. How are the two companies going to achieve this? With AI, duh. They hope the team-up will allow both sides to develop a database for gathering in-game data to better train AI-based preemptive moderation tools.

What this means is that, further down the line, there’s hope both companies will be able to identify negative behaviour and attitude before it’s even left your keyboard. The ultimate aim is to mitigate disruptive behaviour in-game. Riot has reassured the public that any individual’s identifiable data will be removed before it is shared—keeping everyone’s privacy safe. Until, you know, it gets leaked.

Ubisoft and Riot are both members of the Fair Play Alliance, an organisation already trying to tackle these problems today. The ambition seems sincere, and I must say, it is refreshing to see titans within the industry trying to make more active change for gaming communities. The days of in-game abuse might actually be behind us. It should also be noted that this research project is only the first phase of the mission—findings should be ready to be shared with the public sometime in 2023.

How much really needs to change and what do both sides have to say?

Moderation and free speech can be a divisive topic for gamers—heck, for people in general—and many within the community have theorised whether we should use gaming as a tool to alleviate our pent-up frustrations. They play with the idea that, behind a screen, nobody is really getting hurt. The same goes for the conversation surrounding toxic practices like teabagging and rape in the metaverse.

Others would argue that basic human decency should be sought after and expected everywhere, even online. It’s a topic that has long divided gamers and the internet alike. In a bid to set the record straight, I asked several players from a variety of gaming backgrounds for their insights into the dilemma.

Cameron, 23, a casual gamer who plays mostly on console, stated: “It’s really not that deep, you can just mute people on games. But this is coming from someone who doesn’t go deep into massively multiplayer online games (MMOs) or competitive games, where you need a positive relationship with your teammates. I mostly play on consoles where people are just nowhere as bothered or pressed to get all up in other people’s shit. I guess there’s a balance and a limit to what should be allowed.”

On the other hand, Aries, a 23-year-old trans PC gamer who enjoys a spectrum of gaming, emphasised the need for users to take responsibility for what they say online: “Freedom of speech isn’t freedom to say dumb stuff on the internet or in games without consequence. You’re free to use slurs and hateful language in games but you wholly deserve the consequences for doing so. Video games should be a space for everyone to escape from reality, and if your actions are negatively impacting that, you should be punished for doing so. I am completely on the side of game developers who want to improve everyone’s gaming experience by creating safer and friendlier spaces for everyone.”

There are also, of course, generational gaps. Maxim, 27, is an older gamer who has been using these platforms and consoles since the time of unmoderated and unfiltered spaces. “Insulting people has long been a tradition in games. Trying to curb it is certainly noble and could lead to a more accessible space,” Maxim shared. “I agree with this but I also strongly feel that over-moderation erases something that is very fundamental to games—a space to release anger and frustration. Without the ability to express and vent some of these frustrations, I think that the feelings won’t disappear, but will instead be channelled into more radical communities.”

“Gaming moderation is important to people who just want to have fun. I don’t want to face bullying or slurs every second I’m in the game but at the same time, I believe there should be an opt-in to ‘toxic chat’ so that those who want to go wild have the freedom to do so. Trash-talk for me is one of gaming’s greatest joys, and even though people definitely take it too far, I like that there’s an outlet for things you’d never ever dream of saying in the real world,” the avid gamer added.

It does seem as though, while some gamers welcome this move, others remain hesitant. Stefan, 22, is a committed PC gamer who also worries greater restrictive features will have too harsh of an impact on the nature of gaming, “Trash talk is definitely a part of gaming and I’d be sad to see it fully erased, so I hope that we’ll still have the freedom in the future to rib and mess with people. You might not like it but it really is a deep part of things, especially for those with a competitive edge. Being full-on toxic is terrible though and a massive no-no for me.”

A brighter future for gamers or a futile endeavour?

Honestly, the very nature of the internet and gaming as a whole suggests to me that the problem, in its entirety, will never truly be resolved. Online activity can separate you from your real-life identity and because of this, there’ll always be those who choose to exercise behaviour that would never be tolerated outside of these interactive worlds. Of course, there are many of us who bridge the gap between our real and online identities, but trolls don’t usually go for that.

Flaming and ribbing is an integral part of gaming and, let’s be honest, having the opportunity to flex on your opponent after winning is always a great feeling. However, this triumph or victory should never come at the expense of haphazardly spewing hate and abuse online to anyone you please.

The gaming world has changed exponentially since its heyday in the 1990s and early 2000s. It’s bigger, better, broader, and aims to be more inclusive. Things have changed, which is why the attitudes and language of gamers need to undergo the same process.

As someone who believes that anything that pushes the gaming sphere towards a more welcoming environment is a win, I’m excited to see what comes out of the research project between Riot and Ubisoft. After all, each of us deserves the freedom to unwind and relax without the fear of targeted abuse.

NerveGear 2.0: Oculus founder makes VR headset that kills users if they die in the game

Between 2002 and 2008, Japanese author Reki Kawahara published a web novel on his website which predicted the eerie future of AR, VR, AI, and more. Dubbed Sword Art Online (SAO), the series surrounded thousands of VR massive multiplayer online role-playing game (MMORPG) players who were trapped by a scientist inside a literal death game that could only be escaped upon completion.

If the players died in the video game, NerveGear—the VR helmet that transported them to a floating virtual castle called Aincrad—would destroy their real brains by emitting high-powered microwaves, seemingly shutting down their vital processes. The same would happen if anyone in the real world tried to remove or tamper with the NerveGear.

Simply put, while the game was highly immersive with intuitive controls and noteworthy features—minus the typical branded content—respawning was out of the equation and the stakes were sky-high, considering the fact that you could die in real life even if you greedily opened one wrong chest.

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While the iconic series went on to spawn 12 manga adaptations, anime, theatrical films, and over six ironic video games of its own, a 30-year-old VR enthusiast has now confirmed the dreaded presence of the killing machine in question.

Life imitates (sword) art

On 6 November 2022—the same date that 10,000 players logged into SAO’s mainframe for the first time in the futuristic series—co-founder of Oculus VR and designer of the Oculus Rift, Palmer Luckey, took the tech, gaming, and anime world by storm after announcing that he had created a gadget capable of killing users if they died in a video game.

“The idea of tying your real life to your virtual avatar has always fascinated me—you instantly raise the stakes to the maximum level and force people to fundamentally rethink how they interact with the virtual world and the players inside it,” Luckey wrote in a blog post. According to the entrepreneur, while pumped-up graphics might make a game look more real, only the threat of serious consequences (aka death) can make a game feel more real to you and every other person involved in the virtual experience.

“This is an area of video game mechanics that has never been explored, despite the long history of real-world sports revolving around similar stakes,” he added. I wonder why, huh?

As noted by the co-founder, the popularity of SAO led to a massive otaku enthusiasm for Oculus, especially in Japan, which quickly became the VR company’s second largest market. In fact, the very existence of Oculus Rift made the futuristic series itself seem far more plausible and grounded.

“This synergy had a meaningful impact on our dev kit sales and adoption—literally thousands of people reached out to me asking variations of ‘Have you seen Sword Art Online?’ ‘When will you make the NerveGear real?!’,” Luckey mentioned.

So, how does Luckey’s invention work exactly?

In SAO, the NerveGear essentially contained a microwave emitter that could be overdriven to lethal levels, something the author of the novel and the creator of the VR gadget itself was able to hide from his employees, regulators, and contract manufacturing partners.

“The good news is that we are halfway to making a true NerveGear,” Luckey wrote. “The bad news is that so far, I have only figured out the half that kills you. The perfect VR half of the equation is still many years out.”

“I am a pretty smart guy, but I couldn’t come up with any way to make anything like this work, not without attaching the headset to gigantic pieces of equipment,” the entrepreneur continued. “In lieu of this, I used three of the explosive charge modules I usually use for a different project, tying them to a narrow-band photosensor that can detect when the screen flashes red at a specific frequency, making game-over integration on the part of the developer very easy.”

Ultimately, when an appropriate game-over screen is displayed, the charges fire—instantly destroying the brain of the user. What’s worse is that, this time around, there won’t be a dude with black hair and two swords swooping in to save you from disintegrating in the game, true Marvel-style. And, in case you’re wondering what Luckey’s version of the fatal gadget looks like, here’s a once-over:

“This isn’t a perfect system, of course,” Luckey acknowledged. “I have plans for an anti-tamper mechanism that, like the NerveGear, will make it impossible to remove or destroy the headset.” A fatal cherry on the top, indeed. The entrepreneur also addressed the product testing phase of the technology by stating that there are multiple failures that could occur and kill the participant at the wrong time.

“This is why I have not worked up the balls to actually use it myself, and also why I am convinced that, like in SAO, the final triggering should really be tied to a high-intelligence agent that can readily determine if conditions for termination are actually correct,” he added.

At this point, Luckey believes the gadget is just a piece of office art—a thought-provoking reminder of unexplored avenues in game design. “It is also, as far as I know, the first non-fiction example of a VR device that can actually kill the user. It won’t be the last.” See you in the metaverse, I guess? Or maybe not.

@phil.leee

Yeah this isn’t right… #fyp #anime #swordartonline #foryou

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